by Thomas J. Lee
More books have been written and more movies filmed about Abraham Lincoln than anyone else in modern civilization, and for good reason. His life and his presidency offer timeless lessons in leadership, character, and communication. Steven Spielberg’s new, eponymous movie captures it all with color and verve. The film is excellent, and I urge everyone to see it.
Lincoln opens nationwide on Friday, but it is already showing in a handful of cities, including here in Chicago. So a few days ago I took time out of my workday to see it. My commute to the theatre included a Chicago River “water taxi” ride, which floats right past the site of the old Wigwam (on the river at Wacker Drive and Lake Street) where, in 1860, the nascent Republican Party nominated the Illinois prairie lawyer for the presidency. Of course, little could anyone at the time imagine the historic repercussions of the selection.
Like many of you, I have long been fascinated by Lincoln. This year alone I have read two full biographies of him, Lincoln by David Herbert Donald and A. Lincoln by Ronald C. White, both of which are masterful (if you read only one, choose the White volume), as well as three lesser works about his presidency and assassination. Anyone who studies leadership as a calling should devote a great deal of attention to Lincoln.
Spielberg has said he wanted to make a movie about Lincoln for more than a decade, but he didn’t know how to squeeze so much material into a couple of hours. He got his answer when he read Team of Rivals, the marvelous book on Lincoln’s bipartisanship by Harvard historian Doris Kearns Goodwin. The final two chapters of that book focus on Lincoln’s single-minded advocacy, in early 1865 just weeks before his assassination, of the Thirteenth Amendment, which would ban slavery. (As a point of history, the constitutional amendment was necessary because the Emancipation Proclamation two years earlier had been a wartime measure, and therefore it would be of dubious legality after the war’s end.)
But here’s the crux of the matter: Lincoln’s re-election in November 1864 had long coattails. He would enjoy larger majorities in Congress beginning in March 1865. The commonsense thing to do was wait till then, when approval of the Thirteenth Amendment would be easier. Lincoln refused. He insisted on moving quickly. As he declares in the movie (portrayed exquisitely by Daniel Day-Louis), he wanted Congress to act “now, now, now!”
That is one of six insights on leadership that I drew from the Spielberg production: Bring a sense of urgency to the important. If it’s important to do tomorrow, it’s important to do today. Do whatever you can now. Don’t wait, even when waiting would make things ostensibly easier. Do what you must do, do what you can do, and do it now.
Here are five other lessons I took from the Spielberg movie:
Communicate through storytelling, analogies, example, and anecdotes of personal experience whenever possible. Lincoln, like other leaders before and since, relied heavily on storytelling. Stories are powerful tools, because they give people a vivid way to remember a theoretical point. Our ancestors have been telling stories for millennia. We are hardwired to love stories. Lincoln knew it. Spielberg and Goodwin know it. As a leader, you must know it.
Go to the people whose support you need. Listen to them first, and then appeal to their nobility. Do not wait for people to come to you. Do not expect them to come to you. You must go to them, and you must listen before you speak. Then speak to their concerns and issues. As a general rule, when you speak publicly, invoke their values and beliefs. People want to be about something larger than themselves. (It is true, as the movie illustrates, that Lincoln was not above scratching backs for votes. He knew his power, and he used it when he had to.)
Recognize and accept practical limitations, and work within them. “Politics is the art of the possible,” Lincoln’s contemporary Otto von Bismarck would say a few years later. That is not a license to do nothing. Rather, it is worldly acknowledgement that the perfect can be the enemy of progress. In the movie, Pennsylvania Congressman Thaddeus Stevens (Tommy Lee Jones), who knows that people are inherently equal, is forced to say in House debate that he favors equality of legal rights only. Had he claimed more, the Thirteenth Amendment might very well have lost.
Know that ideas have consequences, and the consequences can be grave. The movie is filled with poignant scenes. One of them involves the president’s son Robert watching soldiers dump a barrow of human limbs in a mass grave. Another shows the president on horseback touring a battlefield of human carnage. There are more. For us, too, even in our day-to-day business, even in comparatively modest endeavors, ideas can have consequences from livelihoods to security in retirement to more. Never dismiss an idea as “merely a theory.” Ideas matter.
Abandon the pretense of perfection. We are all human. Few historical figures rival Lincoln for integrity, but even Lincoln was an imperfect man. There is evidence he fudged on an expense account as a congressman, and he could stretch the truth when he wanted. He pulled rank as commander-in-chief to discourage his son Robert from joining the military; and when he lost that argument, he inveigled General Ulysses S. Grant to give Robert a safe sinecure. This is not to excuse or justify such behavior, only to acknowledge the imperfectability of the human animal.
As you watch Lincoln you will doubtless come to your own insights. Please capture them in a note to me (at [email protected]), or click on Comments below and share your thoughts with other readers. Whatever you do, don’t miss this movie. Be sure to take your kids, too, and talk about it afterward.
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